The Top 10 “REWIND!” Moments In Hip Hop Sample History!
There are times when you are listening to some old music & you just get hit. You get hit with a musical moment, that is so great, you go back and listen to it over and over again (or sample it, then listen to it ever and over again). We will call this a REWIND moment. I tried to remember the first time I heard all of these tracks & rank them from #10 to #1. These are the Top 10 “REWIND!” moments in Hip Hop sample history, according to ME…
If you agree, disagree, or think I am missing something (I’m almost sure I am) state your case in the comments below!
PS A quick shout out to all my people coming over from abcdrduson.com & theindustrycosign.com!
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#10 Grover Washington Jr. – “Knucklehead” (Pimpmagication) At some point in music history string ensembles tired of their emotional and sweet sounds, and sought the power of Pimpmagication. This is a prime example of a string ensembles Pimpmagicaction powers. Note: Pimpmagication is enhanced tenfold when paired with horn sections.
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#9 Bobby Womack – Across 110th St (100%’er) – There aren’t many songs that I consider 100% perfect, 100% great, 100% of the playing time. This is one of them. So technically this doesn’t belong on the list. But the way Bobby Womack tops off the final refrain from this 1972 classic, absolutely earns it’s spot. I still get adrenaline/chills from this joint. Note: All respect due to Yaphet Kotto & Anthony Quinn.
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#8 The Four Tops & The Supremes “Melody” (The Jump Off) – No time wasted here. The Funk Brothers & a stellar horn/wind section go right in and jump off this track with authority. Note: Listen closely as Motown’s patented double barreled drum kit technique is in full force. Motown studio sessions often used 2 drummers on 2 separate kits at once.
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#7 Baby Huey & The Babysitters “Hard Times” (Mayfield FTW) - Curtis Mayfield (Writer & Producer) has obviously put together some classic tunes. But with this track, in my opinion he created the greatest epic funk masterpiece of all time (& my favorite song of all time). Baby Huey died before they could finish his fuc#ing album. Makes you wonder what would have been if things went differently. Note: After Baby Huey died in 1970, Chaka Kahn took his place as lead singer of the Babysitters.
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#6 Ten Wheel Drive – “Ain’t Gonna Happen” (Horn Bullyness) – Ten Wheel Drive sets you up with a happy little groove, then they come in to your home wearing 3/4 minks and start breaking s#it. Note: Special shout out to the Ten Wheel Drive horn section (Louis Hoff , Dennis Parisi, Jay Silva, Richard Meisterman and Peter Hyde) for creating one of the most gully moments in white music history!
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#5 Donny Hathaway – “She Is My Lady” (WHOHOOOOOOOOOOAAAAHAHHH!) – I don’t understand why an entire music industry would turn to autotune, when the human voice is capable of such a thing. Note: Donny Hathaway did not need autotune.
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#4 Isaac Hayes – “Walk On By” (Return To Epicness) – Whenever someone has sampled this, as far as I have heard, they have always sampled the first intro section of this Ike Hayes Epic funk classic. In my book, I think when they revisit that section of the song again, it’s a step up from the first one & has some extra attitude & lean. Note: One of the great turnarounds of all time, see #3 for definition.
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#3 James Brown – “The Boss” (The Turnaround) – I don’t know if James Brown invented the term “turnaround”, but this is definitely the definition of a perfect turnaround. Call yourself a bad moth(er) a few times, break the pace, then fall back to the legendary funk/pimp break. If you weren’t ready for it the first time shame on you, Cus he TOLD YOU SO! Note: Flutes are underrated.
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#2 Lamont Dozier “Shine” (Intro) – Producer/songwriter extraordinaire Lamont Dozier might not be the greatest singers in the world. But he can for sure put together some world class arrangements. Note: I don’t understand how they got that guitar to sound like that (sounds like an underwater amp & wah pedal), but it sounds glorious!
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#1 The Dramatics “The Devil Is Dope” (Ending) – This is possibly the most triumphant & funky moment of all time. You got the horn & string sections going all out and everyone else grooving like crazy behind them (The 2 bar drum fills are ridiculous). Plus, they go on for at least a good minute in the full song. Note: I want this to be played at my funeral.
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Agree? Disagree? Have your own top 10? State your case below!













