In Part II of The Making Of (The Beat) In part 2, Jim Bond shows how he created the beat for the Jim Jones track “Bright Lights Big City”. Jim explains what a “fake” chorus is and the importance of “turnarounds” in beats.
DOUBLE CLICK THIS VIDEO FOR A CLEARER/BIGGER PICTURE…
Have you ever wanted to know how to find people to send your music to on Twitter? Look …
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As any other MC does, Styles P needs beats. He has posted this email numerous times, so I’m …
Dre McKenzie, head A&R over at G-Unit records, has put out an official open call to all producers, …
Hello!
I would like that you listen to some of my beats and tell your opinion. Thanks! Greetings!
http://darkwood-records.blogspot.com/
You wack son..poop e the kid here to stay ya feel me. Dont waiste yo time ma doo doo..Aint nobody care about what you have to say ma G. You aint helping producers you think you know it all dog. Your opinion doesnt matter in my toilet. Better yet you know when you at a construction site and dem johns be chillin in the hot sun for hrs dog..thats what yo beats is like.
I thought we were friends Poop E…
What parameters do you suggest for using delay on samples like you did on the turnaround(..business man….).Nice one bruh!
Usually they always just end up being 16th notes, 8th notes or triplets